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Tehilim 66: Come and see the works of God

תְּהִלִּים ס״ו · לַמְנַצֵּחַ שִׁיר
Twenty verses that open by summoning the whole earth and close with one person paying a private debt. Verses 1 to 12 speak as a we: a nation tested, refined like silver, brought through fire and water. From verse 13 the voice is singular and walks into the house with animals in hand. Nothing marks that seam except the number of the verbs and the suffixes, so the grammar is the argument. The line in verse 12, we came through fire and through water, is still ordinary Hebrew for having survived something.
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1
לַמְנַצֵּחַ שִׁיר מִזְמוֹר
הָרִיעוּ לֵאלֹהִים כׇּל הָאָרֶץ
לַמְנַצֵּחַ
lam-na-TZE-ach
for the leader
שִׁיר
shir
a song
מִזְמוֹר
miz-MOR
a psalm
For the leader. A song, a psalm.
הָרִיעוּ
ha-ri-U
raise a shout
לֵאלֹהִים
le-lo-HIM
to God
כׇּל
kol
all
הָאָרֶץ
ha-A-retz
the earth
Shout to God, all the earth.
The heading names two musical genres before the psalm says anything, and then the first command goes to the whole earth rather than to Israel. The scope is set wide on purpose.
2
זַמְּרוּ כְבוֹד שְׁמוֹ
שִׂימוּ כָבוֹד תְּהִלָּתוֹ
זַמְּרוּ
zam-RU
sing praise to
כְבוֹד
che-VOD
the glory of
שְׁמוֹ
shmo
His name
Sing the glory of His name;
שִׂימוּ
si-MU
set
כָבוֹד
cha-VOD
glory as
תְּהִלָּתוֹ
te-hi-la-TO
His praise
make His praise glorious.
Two imperatives in parallel, both aimed at the name rather than at God directly. Praise is handled as an object that can be given weight.
3
אִמְרוּ לֵאלֹהִים מַה נּוֹרָא מַעֲשֶׂיךָ
בְּרֹב עֻזְּךָ יְכַחֲשׁוּ לְךָ אֹיְבֶיךָ
אִמְרוּ
im-RU
say
לֵאלֹהִים
le-lo-HIM
to God
מַה
ma
how
נּוֹרָא
no-RA
awesome is
מַעֲשֶׂיךָ
ma-a-sei-CHA
what You do
Say to God: how awesome are Your deeds!
בְּרֹב
brov
through the greatness of
עֻזְּךָ
uz-CHA
Your strength
יְכַחֲשׁוּ
ye-cha-cha-SHU
they feign submission
לְךָ
le-CHA
to You
אֹיְבֶיךָ
oi-vei-CHA
Your enemies
Through the greatness of Your strength Your enemies come cringing to You.
The praise is put into the mouth of the singer as direct speech, and the first thing it contains is fear rather than affection.
4
כׇּל הָאָרֶץ יִשְׁתַּחֲווּ לְךָ
וִיזַמְּרוּ לָךְ
יְזַמְּרוּ שִׁמְךָ סֶלָה
כׇּל
kol
all
הָאָרֶץ
ha-A-retz
the earth
יִשְׁתַּחֲווּ
yish-ta-cha-VU
they bow down
לְךָ
le-CHA
to You
All the earth bows down to You
וִיזַמְּרוּ
vi-zam-RU
and they sing praise
לָךְ
lach
to You
and sings praise to You;
יְזַמְּרוּ
ye-zam-RU
they sing praise to
שִׁמְךָ
shim-CHA
Your name
סֶלָה
se-LA
selah
they sing praise to Your name. Selah.
Universal homage answers the universal summons of verse 1, and three verbs of bowing and singing close the opening frame.
5
לְכוּ וּרְאוּ מִפְעֲלוֹת אֱלֹהִים
נוֹרָא עֲלִילָה עַל בְּנֵי אָדָם
לְכוּ
le-CHU
go
וּרְאוּ
ur-U
and see
מִפְעֲלוֹת
mif-a-LOT
the works of
אֱלֹהִים
e-lo-HIM
God
Come and see the works of God,
נוֹרָא
no-RA
awesome
עֲלִילָה
a-li-LA
in deed
עַל
al
toward
בְּנֵי
bnei
the children of
אָדָם
a-DAM
man
awesome in what He does toward the children of man.
A second pair of imperatives, come and see, moves the psalm from sound to sight and sets up the historical evidence.
6
הָפַךְ יָם לְיַבָּשָׁה
בַּנָּהָר יַעַבְרוּ בְרָגֶל
שָׁם נִשְׂמְחָה בּוֹ
הָפַךְ
ha-FACH
He turned
יָם
yam
sea
לְיַבָּשָׁה
lya-ba-SHA
into dry land
He turned the sea into dry land;
בַּנָּהָר
ba-na-HAR
through the river
יַעַבְרוּ
ya-av-RU
they crossed
בְרָגֶל
VRA-gel
on foot
they crossed the river on foot.
שָׁם
sham
there
נִשְׂמְחָה
nis-me-CHA
let us rejoice
בּוֹ
bo
in Him
There let us rejoice in Him.
The evidence is a crossing: sea turned to land, river crossed on foot. Then the verb jumps to the present, and a past event becomes an occasion for rejoicing now.
7
מֹשֵׁל בִּגְבוּרָתוֹ עוֹלָם
עֵינָיו בַּגּוֹיִם תִּצְפֶּינָה
הַסּוֹרְרִים אַל יָרוּמוּ לָמוֹ סֶלָה
מֹשֵׁל
mo-SHEL
ruling
בִּגְבוּרָתוֹ
big-vu-ra-TO
by His might
עוֹלָם
o-LAM
forever
He rules by His might forever;
עֵינָיו
ei-NAV
His eyes
בַּגּוֹיִם
ba-go-YIM
on the nations
תִּצְפֶּינָה
titz-pei-NA
they keep watch
His eyes keep watch on the nations.
הַסּוֹרְרִים
ha-sor-RIM
the rebellious
אַל
al
let not
יָרוּמוּ
ya-ru-MU
they raise themselves
לָמוֹ
la-MO
for themselves
סֶלָה
se-LA
selah
Let the rebellious not exalt themselves. Selah.
The lesson drawn from history is surveillance rather than comfort. The same power that opened the sea is described watching the nations.
8
בָּרְכוּ עַמִּים אֱלֹהֵינוּ
וְהַשְׁמִיעוּ קוֹל תְּהִלָּתוֹ
בָּרְכוּ
bar-CHU
bless
עַמִּים
a-MIM
O peoples
אֱלֹהֵינוּ
e-lo-hei-NU
our God
Bless our God, O peoples,
וְהַשְׁמִיעוּ
ve-hash-mi-U
and make heard
קוֹל
kol
the sound of
תְּהִלָּתוֹ
te-hi-la-TO
His praise
and let the sound of His praise be heard.
The peoples are addressed again, and what is asked of them is not belief but noise: their voice is to carry the praise.
9
הַשָּׂם נַפְשֵׁנוּ בַּחַיִּים
וְלֹא נָתַן לַמּוֹט רַגְלֵנוּ
הַשָּׂם
ha-SAM
the One who sets
נַפְשֵׁנוּ
naf-she-NU
our soul
בַּחַיִּים
ba-cha-YIM
among the living
who has kept our soul among the living,
וְלֹא
ve-LO
and not
נָתַן
na-TAN
He allowed
לַמּוֹט
la-MOT
to slip
רַגְלֵנוּ
rag-le-NU
our foot
and has not let our foot slip.
Two participial clauses give the reason for the blessing. Being kept among the living and being kept from slipping are one act described twice.
10
כִּי בְחַנְתָּנוּ אֱלֹהִים
צְרַפְתָּנוּ כִּצְרׇף כָּסֶף
כִּי
ki
for
בְחַנְתָּנוּ
ve-chan-ta-NU
You have tested us
אֱלֹהִים
e-lo-HIM
God
For You have tested us, O God;
צְרַפְתָּנוּ
tze-raf-ta-NU
You have refined us
כִּצְרׇף
kitz-ROF
as one refines
כָּסֶף
KA-sef
silver
You have refined us as silver is refined.
The reason turns into an admission. The keeping included testing, and the image of refining makes the suffering purposeful rather than hostile.
11
הֲבֵאתָנוּ בַמְּצוּדָה
שַׂמְתָּ מוּעָקָה בְמׇתְנֵינוּ
הֲבֵאתָנוּ
ha-ve-ta-NU
You brought us
בַמְּצוּדָה
vam-tzu-DA
into the net
You brought us into the trap;
שַׂמְתָּ
sam-TA
You placed
מוּעָקָה
mu-a-KA
a crushing weight
בְמׇתְנֵינוּ
ve-mot-nei-NU
on our loins
You laid a crushing weight on our loins.
Two blunt clauses with God as the subject of the harm. The psalm does not hand the trouble off to an enemy.
12
הִרְכַּבְתָּ אֱנוֹשׁ לְרֹאשֵׁנוּ
בָּאנוּ בָאֵשׁ וּבַמַּיִם
וַתּוֹצִיאֵנוּ לָרְוָיָה
הִרְכַּבְתָּ
hir-kav-TA
You let ride
אֱנוֹשׁ
e-NOSH
men
לְרֹאשֵׁנוּ
le-ro-she-NU
over our head
You let men ride over our head;
בָּאנוּ
ba-NU
we went
בָאֵשׁ
va-ESH
through fire
וּבַמַּיִם
u-va-MA-yim
and through water
we went through fire and through water,
וַתּוֹצִיאֵנוּ
va-to-tzi-e-NU
and You brought us out
לָרְוָיָה
lar-va-YA
to saturation
and You brought us out to abundance.
The lowest point and the turn in one verse. Fire and water are the two extremes, and the last word means saturation, the exact opposite of the constraint two lines earlier.
13
אָבוֹא בֵיתְךָ בְעוֹלוֹת
אֲשַׁלֵּם לְךָ נְדָרָי
אָבוֹא
a-VO
I will come
בֵיתְךָ
veit-CHA
into Your house
בְעוֹלוֹת
ve-o-LOT
with burnt offerings
I will come into Your house with burnt offerings;
אֲשַׁלֵּם
a-sha-LEM
I will pay in full
לְךָ
le-CHA
to You
נְדָרָי
ne-da-RAI
my vows
I will pay You my vows.
The plural stops here. From this verse to the end there is one speaker, one house, and one debt being settled.
14
אֲשֶׁר פָּצוּ שְׂפָתָי
וְדִבֶּר פִּי בַּצַּר לִי
אֲשֶׁר
A-sher
which
פָּצוּ
pa-TZU
they opened wide
שְׂפָתָי
sfa-TAI
my lips
the vows my lips opened wide to utter,
וְדִבֶּר
ve-DI-ber
and it spoke
פִּי
pi
my mouth
בַּצַּר
ba-TZAR
in the distress
לִי
li
that was mine
and my mouth spoke when I was in distress.
The vow is dated backwards to the moment of fear, which is what makes it binding now that the fear is over.
15
עֹלוֹת מֵיחִים אַעֲלֶה לָּךְ
עִם קְטֹרֶת אֵילִים
אֶעֱשֶׂה בָקָר עִם עַתּוּדִים סֶלָה
עֹלוֹת
o-LOT
burnt offerings of
מֵיחִים
mei-CHIM
fatlings
אַעֲלֶה
a-a-LE
I will offer up
לָּךְ
lach
to You
Burnt offerings of fatlings I will offer up to You,
עִם
im
with
קְטֹרֶת
KTO-ret
the smoke of
אֵילִים
ei-LIM
rams
with the smoke of rams;
אֶעֱשֶׂה
e-e-SE
I will prepare
בָקָר
va-KAR
cattle
עִם
im
with
עַתּוּדִים
a-tu-DIM
he-goats
סֶלָה
se-LA
selah
I will prepare cattle with he-goats. Selah.
The inventory is deliberately expensive. Naming each animal is how the psalm shows a vow being paid rather than merely described.
16
לְכוּ שִׁמְעוּ
וַאֲסַפְּרָה כׇּל יִרְאֵי אֱלֹהִים
אֲשֶׁר עָשָׂה לְנַפְשִׁי
לְכוּ
le-CHU
go
שִׁמְעוּ
shim-U
hear
Come and hear,
וַאֲסַפְּרָה
va-a-sap-RA
and let me tell
כׇּל
kol
all
יִרְאֵי
yir-EI
you who fear
אֱלֹהִים
e-lo-HIM
God
and let me tell, all you who fear God,
אֲשֶׁר
A-sher
what
עָשָׂה
a-SA
He did
לְנַפְשִׁי
le-naf-SHI
for my soul
what He did for my soul.
The private thanksgiving turns public again. The audience narrows to those who fear God, and the subject narrows to one soul.
17
אֵלָיו פִּי קָרָאתִי
וְרוֹמַם תַּחַת לְשׁוֹנִי
אֵלָיו
e-LAV
to Him
פִּי
pi
my mouth
קָרָאתִי
ka-ra-TI
I called
To Him I called with my mouth,
וְרוֹמַם
ve-ro-MAM
and high praise
תַּחַת
ta-CHAT
was under
לְשׁוֹנִי
le-sho-NI
my tongue
and high praise was under my tongue.
The testimony is reduced to two organs, mouth and tongue, which keeps the report verbal rather than sacrificial.
18
אָוֶן אִם רָאִיתִי בְלִבִּי
לֹא יִשְׁמַע אֲדֹנָי
אָוֶן
A-ven
wrongdoing
אִם
im
if
רָאִיתִי
ra-i-TI
I had seen
בְלִבִּי
vli-BI
in my heart
Had I looked on wrongdoing in my heart,
לֹא
lo
not
יִשְׁמַע
YISH-ma
would hear
אֲדֹנָי
a-do-NAI
the Lord
the Lord would not have listened.
A condition is admitted that could have voided the whole thanksgiving. The psalm protects its own claim by naming what would have blocked it.
19
אָכֵן שָׁמַע אֱלֹהִים
הִקְשִׁיב בְּקוֹל תְּפִלָּתִי
אָכֵן
a-CHEN
but in truth
שָׁמַע
SHA-ma
He heard
אֱלֹהִים
e-lo-HIM
God
But in truth God heard;
הִקְשִׁיב
hik-SHIV
He gave attention
בְּקוֹל
be-KOL
to the voice of
תְּפִלָּתִי
tfi-la-TI
my prayer
He attended to the voice of my prayer.
The condition of the previous verse is answered flatly. Two verbs of hearing, one general and one attentive, are stacked to say that the prayer landed.
20
בָּרוּךְ אֱלֹהִים
אֲשֶׁר לֹא הֵסִיר תְּפִלָּתִי
וְחַסְדּוֹ מֵאִתִּי
בָּרוּךְ
ba-RUCH
blessed be
אֱלֹהִים
e-lo-HIM
God
Blessed be God,
אֲשֶׁר
A-sher
who
לֹא
lo
not
הֵסִיר
he-SIR
has removed
תְּפִלָּתִי
tfi-la-TI
my prayer
who has not turned away my prayer,
וְחַסְדּוֹ
ve-chas-DO
nor His kindness
מֵאִתִּי
me-i-TI
from me
nor His kindness from me.
The closing blessing is built as a double negative: nothing was withdrawn. Prayer and covenant kindness are treated as one thing that stayed in place.

♦ PARDES analysis: פרדס

The four levels of Jewish reading of the sacred text: פשט Peshat (literal meaning), רמז Remez (symbolic allusion), דרש Drash (midrashic interpretation), סוד Sod (mystical meaning). The word פרדס means "orchard", each level is a fruit.

פשט · Peshat: literal meaning

Two psalms joined at verse 13. The first half is public and plural: the earth is told to shout, the crossing of the sea is offered as evidence, and the we of the nation reports being tested, netted, ridden over, and brought out. The second half is private and singular: one person walks into the house with animals and pays what he promised while he was frightened. Nothing in the Hebrew marks the seam except the number of the verbs, which is why אָבוֹא (a-vo, v.13) is the word to slow down on. The order matters. The nation is delivered first, then one member of it settles the account.

רמז · Remez: allusion

Three words carry real ambiguity. בַמְּצוּדָה (vam-tzu-da, v.11) is either a stronghold or a hunting net, since the noun is attested in both senses, and translations split on this verse; the surrounding language of weight and constraint favours the net, but the reading is disputed. וְרוֹמַם (ve-ro-mam, v.17) can be read as a verb, He was extolled, or as a noun, high praise, sitting under the tongue like something held in the mouth, and old versions differ. יְכַחֲשׁוּ (ye-cha-cha-shu, v.3) literally means they lie or they deny, and is usually rendered cringe or feign obedience, which is the psalm saying that submission under overwhelming force is not the same thing as loyalty.

דרש · Drash: midrashic reading

The image in צְרַפְתָּנוּ (tze-raf-ta-nu, v.10), refined as silver is refined, is the psalm's own reading of its history: the trouble in verses 11 and 12 is neither punishment nor accident but process, and the proof offered is that it ended in saturation rather than in loss. Read that way, the first half is a set of instructions for how to speak about a disaster once it is over. אָוֶן (a-ven, v.18) then cuts the other way in the second half: the speaker admits that a prayer can fail, and puts the fault inside the one praying rather than in the one listening. The blessing at the end is therefore not automatic. It says only that this time nothing was turned away, which carries weight because the previous verse allowed that it could have been.

סוד · Sod: mystical reading

Read as an inner map, the two halves are two stages of one person. The first is the self as a crowd: many voices, public history, events that happen to a group and can be told as a story. The second is the self as a single speaker who owes something and goes to pay it alone, with the mouth as the instrument. Fire and water in בָאֵשׁ (va-esh, v.12) are the standard pair for the two ways a soul comes undone, by burning and by drowning, and coming out to saturation rather than to dryness is how the psalm says the trial gave more than it took. The refining of silver in צְרַפְתָּנוּ (tze-raf-ta-nu, v.10) makes the same claim from the other side: the metal is not replaced, only the dross leaves.

Hebrew text: Miqra according to the Masorah (MAM), after the Aleppo Codex, via Sefaria, CC BY-SA. English: The Holy Scriptures, a New Translation (JPS 1917), via Sefaria, public domain. Transliteration generated by this site's own engine (assets/translit.js).