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Tehilim 131: Like a weaned child with its mother

תְּהִלִּים קל״א · שִׁיר הַמַּעֲלוֹת
Three verses, among the shortest in the book, and one of the fifteen Songs of Ascents that run from 120 to 134. It is a denial, an image and a command, in that order, and the whole argument turns on a single comparison that occupies half of verse 2. For a learner it is a clean page for negation and for the first person: five verbs in a row in the first person singular, three of them negated, each ending in the -ti suffix that marks a completed action done by the speaker. Read the first verse and you have the past tense of the speaker's own voice.
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1
שִׁיר הַמַּעֲלוֹת לְדָוִד
יְהֹוָה לֹא גָבַהּ לִבִּי
וְלֹא רָמוּ עֵינַי
וְלֹא הִלַּכְתִּי בִּגְדֹלוֹת וּבְנִפְלָאוֹת מִמֶּנִּי
שִׁיר
shir
a song of
הַמַּעֲלוֹת
ha-ma-a-LOT
the ascents
לְדָוִד
le-da-VID
of David
A song of the ascents. Of David.
יְהֹוָה
a-do-NAY
the LORD
לֹא
lo
not
גָבַהּ
ga-VAH
is high
לִבִּי
li-BI
my heart
LORD, my heart is not high,
וְלֹא
ve-LO
and not
רָמוּ
ra-MU
are raised
עֵינַי
ei-NAI
my eyes
and my eyes are not raised,
וְלֹא
ve-LO
and not
הִלַּכְתִּי
hi-lach-TI
have I walked
בִּגְדֹלוֹת
big-do-LOT
among great things
וּבְנִפְלָאוֹת
uv-nif-la-OT
and among wonders
מִמֶּנִּי
mi-me-NI
beyond me
and I have not walked among things too great and too wonderful for me.
Three denials working downward through the body: heart, then eyes, then the feet that would carry a person into places he does not belong. Nothing is claimed here, only refused.
2
אִם לֹא שִׁוִּיתִי וְדוֹמַמְתִּי נַפְשִׁי
כְּגָמֻל עֲלֵי אִמּוֹ
כַּגָּמֻל עָלַי נַפְשִׁי
אִם
im
if
לֹא
lo
not
שִׁוִּיתִי
shi-vi-TI
I have levelled
וְדוֹמַמְתִּי
ve-do-mam-TI
and I have stilled
נַפְשִׁי
naf-SHI
my soul
Surely I have levelled and quieted my soul,
כְּגָמֻל
ke-ga-MUL
like a weaned child
עֲלֵי
a-LEI
upon
אִמּוֹ
i-MO
his mother
like a weaned child on its mother,
כַּגָּמֻל
ka-ga-MUL
like the weaned child
עָלַי
a-LAI
upon me
נַפְשִׁי
naf-SHI
is my soul
like the weaned child on me is my soul.
The one positive claim in the psalm, and it is stated as an oath. The comparison is then made twice, once outward and once turned back on the speaker, so he is both the child and the one holding it.
3
יַחֵל יִשְׂרָאֵל אֶל יְהֹוָה
מֵעַתָּה וְעַד עוֹלָם
יַחֵל
ya-CHEL
wait in hope
יִשְׂרָאֵל
yis-ra-EL
Israel
אֶל
el
for
יְהֹוָה
a-do-NAY
the LORD
Wait, Israel, for the LORD,
מֵעַתָּה
me-a-TA
from now
וְעַד
ve-AD
and until
עוֹלָם
o-LAM
forever
from now and for ever.
The private voice stops and addresses the whole people, which is what turns a personal note into a psalm. What the speaker did to his own soul is now asked of everyone.

♦ PARDES analysis: פרדס

The four levels of Jewish reading of the sacred text: פשט Peshat (literal meaning), רמז Remez (symbolic allusion), דרש Drash (midrashic interpretation), סוד Sod (mystical meaning). The word פרדס means "orchard", each level is a fruit.

פשט · Peshat: literal meaning

Verse 1 lists what the speaker has not done, verse 2 what he has done instead, verse 3 tells Israel to do the same. The three denials of verse 1 are ordered from the inside out, גָבַהּ (ga-vah, v.1) of the heart, רָמוּ (ra-mu, v.1) of the eyes, then walking, so ambition is tracked from where it starts to where it becomes visible. The last two words of verse 1, וּבְנִפְלָאוֹת (uv-nif-la-ot, v.1) and מִמֶּנִּי (mi-me-ni, v.1), are the pivot: the objection is not that great things are bad but that these particular ones are beyond this particular person. Verse 3 then makes the point that the psalm is not about modesty as a private virtue. Waiting is the collective form of the same discipline, and the psalm ends on for ever, which is the longest wait available.

רמז · Remez: allusion

Verse 2 opens with אִם (im, v.2) and לֹא (lo, v.2), literally if not, which is the second half of a Hebrew oath with the curse left unsaid: if I have not stilled my soul, then may such and such happen to me. Translations render it surely, and the force is a sworn statement rather than a hesitation. The verb שִׁוִּיתִי (shi-vi-ti, v.2) is from the root meaning to be level or even, so the soul is not suppressed but flattened out, brought to the same height everywhere. The comparison itself is disputed in one respect. A weaned child is past the age of crying for the breast, so most read the image as contentment without demand; others hear the recent loss in it, a child who has been weaned and has stopped protesting. The Hebrew supports both, and the difference matters, because one reading gives peace and the other gives resignation.

דרש · Drash: midrashic reading

The heading says of David, and the psalm denies exactly the things a king's life is made of. Whether the heading marks authorship, dedication or a style of psalm is an old question and the Hebrew preposition does not settle it, but the tension is on the page either way. The placement in the collection sharpens it further: the psalm that follows is the long one about David's oath not to sleep until he has found a place for the ark, which is precisely walking among great things. Read as a pair, 131 and 132 give the two halves of one posture, no ambition for oneself and total ambition for the house. The command of verse 3 is also the standard reading of the whole book of Psalms in miniature, since waiting rather than achieving is what most of the collection asks for.

סוד · Sod: mystical reading

The image in verse 2 is the closest the Psalter comes to describing the soul in a state of receiving nothing and being at rest anyway. A nursing child takes; a weaned child stays. The mystical reading treats that as the whole discipline: the relation is not sustained by what is being supplied, and the soul that has stopped drawing has not stopped being held. כַּגָּמֻל (ka-ga-mul, v.2) repeats the comparison with the definite article, that same weaned child, and puts it on me, so the speaker who quieted his soul is now the mother in his own image. Verse 3 extends the same picture to a nation, and the two words at the end, from now and for ever, are a formula that closes several of the Songs of Ascents. The state described is not a moment reached once but a position held.

Hebrew text: Miqra according to the Masorah (MAM), after the Aleppo Codex, via Sefaria, CC BY-SA. English: The Holy Scriptures, a New Translation (JPS 1917), via Sefaria, public domain. Transliteration generated by this site's own engine (assets/translit.js).